Tag Archives: supernatural

The Woman in Black – Susan Hill

My latest read was fuelled by a desire to conquer my fear, a genuine attempt at tackling one of my long-standing fears head on. So I read The Woman in Black by Susan Hill.

Firstly let me clarify that I have had a fear of The Woman in Black since I was 16! My first encounter was seeing the play at the theatre with the rest of my Drama class. As much as I could tell you what an amazing performance it was, and how the minimalist effects were perfectly executed- it was so much more. It was an outstanding performance which has successfully cemented a fear in me of The Woman in Black. Just thinking about it makes me shiver, and afterwards I had nightmares for 2 months. Now that’s some performance!

Then there came the film with Daniel Radcliffe in the role of Arthur Kipps. Admittedly there are differences between the film and the theatre adaptations, but these were to be expected. But the film succeeded in re-instating my fear of The Woman in Black, and taking it to a whole new level. The film brought The Woman in Black’s dreadful and terrifying face right into my personal space- I must get round to writing a thank you card to the relative who bought me the DVD!
To this day there are parts of that film that I have not been able to watch, simply because I was able to watch the sequence leading up to it, and then my nerves gave out and the cushion moved in front of my face, so fast it’s become a permanent reflex whenever The Woman in Black is mentioned.

It wasn’t until I saw my brother with a copy of Susan Hill’s novel The Woman in Black, that I then realised that both the film and theatre productions are adaptations from an existing work; therefore I’d done it all backwards!

The Woman in Black

So moving on to my most recent encounter with The Woman in Black….Susan Hill’s novel was much more subtle and eerie than I imagined. She successfully depicts the drab and desolate Eel Marsh House so poignantly that it’s an image hard to forget.
I didn’t know what else to expect from the novel, but I enjoyed the reminiscent ‘retelling’ perspective. Whatever horrors the story revealed, there was a survivor, able to tell the harrowing tale in great detail.

Somehow when reading Kipp’s tragic story, it hit me much harder than it did when I saw the play or film- and don’t forget the film ends completely differently to the book. Hill shows literary skill in creating such an ordinary character, whose life bears no resemblance to my own; and yet throughout the novel I cared for him. I cared for his welfare; for his sanity and for his family; almost as much as I care for my own.

What many readers forget in heavy action or mystery novels are the easy to miss, mundane and everyday occurrences. But rather than skip these events, Hill uses them to build her readers a solid picture of Arthur Kipps; giving us a reliable and believable centre for the plot. The relating of normal, everyday events makes the supernatural events starker than they would have been if the entire novel was littered with them. In fact I was surprised by the end, when you count the relatively few encounters Arthur Kipps has with The Woman in Black, the affect those encounters had not only on Kipps but myself as well…if you’re not even slightly shaken by the retelling of Kipp’s story, then you’re made of stronger stuff than me.

I did find the ending a little bleak as it seemed to just tail off into nothing. It did end for Mr Kipps at least, that much was clear. But it was a little abrupt; it’s not quite a cliff-hanger so there’s no build up or expectation for a second novel; but you don’t get much satisfaction in it either. I suppose I shouldn’t have expected more from a thriller/ horror novel, but I did want more for poor Mr Kipps.

Did reading the novel put my fears to rest? Well not so much, for a few nights I was jumpy amongst the hallway shadows. But I did feel I understood Arthur Kipps and his story much better, and enjoyed the experience whilst reading it. Those chapters which delved into the back story of The Woman in Black were fascinating, I simply wanted to get to the bottom of the mystery- I wanted to be able to put her spirit to rest. When a book can give you the same chills as a play or film, then you know you’re onto something good!

© Gemma Feltham, 25th July 2015

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Carrie- Stephen King

Stephen King is one of the most recommended and loved horror novelists, until now I’d only seen two films based on King’s work, so as my first introduction to Stephen King’s novels I selected Carrie.

The first thing that hit me when I started reading Carrie was curiosity as to how similar the novel and film would be. But I quickly forgot about any kind of comparison; as the novel quickly had me engrossed in the narrative and compelled to keep reading right until the very end.Carrie The format of Carrie threw me at first, written from numerous perspectives, jumping between different time frames and interjections written in note format throughout- it certainly wasn’t your typical novel style, and not what I expected. Once passed the first few chapters I had gotten used to the flow of novel- I found the trick was to simply read it, not try to analyse it, not trying to remember what happened next in the film, and not trying to make the flow of events or how they are dictated; fit to any other written style.

I had high expectations for King’s narrative style, his reputation would not be what it is if he couldn’t deliver- and I was not disappointed. His attitude to Carrie’s story is extremely sympathetic, and his true skill in manipulating the reader really shines when by the end of the book it’s still Carrie White that the reader feels sorry for; despite all the death she causes.

Admittedly knowing the ending of the book was slightly disappointing but, reading the run up of events, finding out about Carrie’s history with her mother (much more than you get from the film) was very entertaining, it kept the novel grounded in a recognisable reality, despite its paranormal plot.
Carrie herself is a character which many readers would understand on some level, sharing some of her experiences and emotions and having that connection to the main character is what makes this novel more terrifying- the idea that perhaps you, the reader, could be as destructive a force as Carrie would make you think twice.

Overall Carrie was an enjoyable read, it may not have left me with nightmares but I’m certainly not complaining. The plot was gripping the twists were engaging and for the most part the characters were realistic and believable. If you’re considering trying King’s work I would recommend Carrie as the novel for dipping your toe into the horror genre.

© Gemma Feltham 13 June 2015

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Ezekial #1- Created and Written by David Kraine, Art and Letters by Patrick Beavers

Ezekial is a compelling story of an ordinary boy, born on earth but whose parents had to flee amidst the destruction of planet earth, finding refuge on New Earth. Kraine’s written story is great- as with all comics it’s relatively brief at first, but the back story grows the more you read and there’s enough detail to cement a reader’s interest, without giving too much away.

The characterisation is strong, believable and relatable despite the supernatural references to Ezekial’s abilities; strengthened by the clear and concise style Kraine writes with. What was meant by ‘I’ll find you’? I can’t wait to read the next instalment. The artwork is simply fantastic; the images of the forest in which Ezekial lives are particularly stunning.

EzekialThe colours used by Beavers are highly appropriate and intriguing, overall the artwork has a certain ‘oil-painting-esque’ quality to them, which was a welcome change to the somewhat ‘plasticky’ finish I’ve found in other comics. I would definitely recommend Ezekial to fans of the sci-fi/ supernatural, it’s especially suitable for anyone just venturing into the world of comics.

© Gemma Feltham 1st March 2014

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Angel’s Breath- Yvonne Von Innes

My latest read ‘Angel’s Breath’ is a contemporary piece of vampire fiction about human nature, our sacrifices for love and humanity’s struggle to persevere.

Set in a time of Brean’s life that many would be able to relate too, ‘Angel’s Breath’ by Yvonne Von Innes has the potential to be applicable and appealing to a wide audience. It’s vampire fiction at its most tasteful and refined. The concept of the vampire very much symbolises the darker side of human nature. But admittedly I prefer my vampire fiction to be a little grittier and much more prominent.

The vampire elements of this story are very much secondary to the human elements this is just one of the reasons why you would carry on reading. The relationships, emotions and even the plot is all governed by Brean’s hopes of retaining as much of his humanity as possible. It pulls you in with the heavy focus on the human versus supernatural and good versus bad- two wars which all the main characters endure on some level.

angel's breath

Innes’ characters are evidently strongly influenced by their surroundings. This is something which in my opinion, can be difficult to effectively convey, in a way which makes it noticeable to the reader. Yet Innes has managed to successfully allow the reader to make the connections between the character’s environment and their personalities. The relationship Innes builds between Brean and Viara is painstakingly and purposefully built. It’s a relationship built not only to be tested, but to last and endure. The great thing about it is that the language is so skilfully used, that the reader is able to feel, understand and imagine every small step their relationship takes. This doesn’t appear to be a reflection of the fast-paced world of dating and relationships in real life- but it is more refreshing to read because of these differences. The inspirations for this novel are clear as the more savvy reader may notice the main vampire is called Drake Clarmont- aka Dra…cla..?

Although consistent I found the character development too slow for my own curiousness. After introducing such complex characters, it would have been nice to understand them better- particularly Viara and her involvement with the allusive organisation PEACE. Furthermore, the inclusion of an organisation such as PEACE in a novel, requires the author to ensure their reader is fully aware of their purpose, role and (to put it simply) why they are such a big deal. For most of the novel PEACE is either non-existent or in the background. Details about PEACE are offered far too sparingly and when they do surface there is nowhere near enough given, therefore the reader remains uninformed. While this does offer the reader the opportunity to experience and learn at the same pace as main character Brean; by the end of the novel it is clear that Brean has been brought up to speed and yet the reader is still none the wiser. In the final chapters the action of the novel reaches its peak and the hidden agenda of PEACE is still only briefly glimpsed.

The concept of a ‘blood child’ is intriguing. In my reading it would appear to be somewhere between having a blood donor and a slave. But what makes it so intriguing is that it’s not something I remember coming across in any other vampire fiction I’ve read- and I’ve read a lot. A novel that can offer you something totally new is the best kind. Overall the novel isn’t worlds away from other works of vampire fiction. But there is enough variant in the details, characters and plot to prevent the reader from becoming bored.

There is a continuous flow to the novel which makes the plot easy to follow, helped by the strong and authoritative tone and detailed descriptions, wherein Innes is able to clearly convey all the required human emotion. However I did manage to spot one spelling mistake, proof that proof-readers and editors are not always to be relied on. Fortunately this doesn’t detract from the rest of the novel’s events. The pace of the final chapters is noticeably increased, to the point where it feels a little rushed. There’s no easing as the time-frame jumps forward several years, where Innes offers the reader a brief insight into seemingly happy but demanding new lifestyle that Brean and Viara seem to have created for themselves.

Reading Innes’ ‘Angel’s Breath’ was an enjoyable and thoroughly engaging read. It was consistent in the level of detail offered, and both tone and pace were well matched to the topics explored and events which unfold. However there is always room for more character development to fuse a reader’s interest.

© Gemma Feltham May 6 2013

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